
A generous 12-oz everyday mug with a thumb-rest handle that actually fits a hand.
Field4" tall × 3.4" wideShips 2–3 weeks
Marl & Ash is a one-potter studio. I wedge, throw, trim, glaze, and pack every piece myself — small batches of stoneware for slow mornings and full tables, sold on Etsy and made to order.
Each piece is thrown, trimmed, and glazed by hand in small batches. Browse here, then tap through to buy or favorite it on Etsy.

A generous 12-oz everyday mug with a thumb-rest handle that actually fits a hand.
Field4" tall × 3.4" wideShips 2–3 weeks

A deep, hand-thrown bowl for ramen, cereal, or holding the day’s clementines.
Tide6.5" wide × 3" deepShips 2–3 weeks

A tall, narrow-necked vase for a single branch or a loose handful of stems.
Tide8" tall × 3.5" at the bellyShips 3–4 weeks
Every glaze is mixed in the studio from raw materials and tested on the same clay before it touches a pot. Three living series, each one a little different out of every firing.

Marl & Ash began in 2016 at a single secondhand wheel in a corner of a shared River Arts studio. Tess Holloway had been a line cook for a decade and missed making things with her hands at the end of a shift — so she started throwing mugs after close.
Nine years on, it is still a studio of one: every piece is wedged, thrown, trimmed, glazed, and packed by the same pair of hands. We keep batches small on purpose. A kiln fits what it fits, and we would rather make a hundred good pots than a thousand rushed ones.
No molds, no slip-casting, no shortcuts — just clay, water, two firings, and a kiln that always keeps a surprise.

Every pot starts as a wedged ball of cone-6 stoneware, centered and opened on the wheel by hand. No molds, no slip-casting — just clay and water.

Once leather-hard, each piece is flipped and trimmed to its foot, and handles are pulled and joined wet so they’ll never pop off.

Bone-dry greenware goes into the first firing to ~1,940°F, turning fragile clay into porous, paintable bisqueware.

Each pot is waxed, dipped, and brushed in glazes I mix from raw materials in the studio — the part where the kiln gets a vote.

The loaded kiln climbs to ~2,232°F over twelve hours and cools for a full day. I don’t open it until it’s cold — and it always holds a surprise.

Every piece is checked for food-safety and finish, signed on the foot, wrapped to survive the post, and sent with a care card.
Some of my favorite work is made for one person or one table. Tell me what you have in mind and I’ll come back with a quote and a timeline — a 50% deposit holds your spot in the queue.


“This is the only mug I reach for now. It’s heavier than a factory mug in the best way and the speckles are gorgeous. Tess even tucked in a handwritten note. Buying two more for gifts.”

“The celadon glaze pooling in the bottom is unreal — looks like water. Perfect ramen bowl. Shipped fast and wrapped like it was going to the moon.”
“Ordered the tumblers for our wedding registry and then a full custom set. Tess was so patient developing the glaze with us. Our guests keep asking where the pottery is from.”
Follow along between firings — the wheel in motion, kiln-opening days, and the ping when a fresh batch lands.
Pieces are made to order, so “sold out” just means that batch is in the queue. Favorite the shop on Etsy to get the ping when it lands.
Shop ready-made pieces on Etsy, or tell me about a custom set, a café run, or a wedding registry. I’ll reply within a couple of days with a quote and a timeline — no obligation.